Sandra Sterle is working with the processes of performing and multimedia installations based on experimental film structure. Figments of Time is focused on her ongoing practice of biographical research, archiving and self-archiving in linear and non linear forms of relating to documentation and memory. Her discourse revolving around her relationship with her grandfather formulates a non-linear film-structure with installation units that can be seen as separate entities or fragments that are assembled together to form a single unit. A possible layer of her long term project and current exhibition is an attempt to read her own art practice through her granfather’s biography. (From the text of Olivia Nițiș)
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The exhibition is conceived as an intimate, artistic and curatorial homage to the activity of the prematurely deceased multimedia artist Marijan Crtalić (1968 - 2020). His artistically articulated activism continuously reflected the socio-political narratives of his hometown of Sisak. When we get the opportunity to see Marijan Crtalić’s work today, we understand that this work represents an indispensable and quite concrete contribution to the valorisation and re-actualisation of the legacy of Socialism, in the direction of active negotiations with the present, but also as the foundation for any critical deliberation on the future.
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Opening: 21/12 at 7 pm
"Looking at the course of a river from an airplane, I was often intrigued by the drawing the river made in the ground it flowed through. Some parts were so artistic that you only had to frame and sign them. That, of course, would be pure theft, because the image is created by the river, the ground, and gravity. The author is nature."
(V. Richter, Gravitational Drawing, Museum of Contemporary Art, Zagreb, 2001)
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The exhibition Nam June Paik - In the Groove features the delightful early experimental art practice of this clever and playful pioneer of media art. Akin to a TV signal or internet impulse, his groundbreaking multimedia work reverberated globally throughout the art world.
Signals, parallels and reflections in the „groove“ of Nam June Paik can be found in Croatian and regional artworks which resonate and crossover many of Paik’s most prominent postulations.
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The exhibition Body and Territory: Art and Borders in Today's Austria departsfrom two dominant tendencies that mark contemporary art in Austria. It focuses on the tradition of radical performance and feminist legacy while giving a voice to those who are silenced—women, queer individuals, immigrants, refugees and migrants. Thirty artists and art collectives in more than seventy works demonstrate how the vulnerability, that emerged in Austrian art as a dominant topic in the early 20th century. by the late 1960s, became the main medium of radical forms of political resistance.
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On Wednesday, November 16, 2022, at 7:30 p.m., the Museum of Contemporary Art Zagreb will open the large retrospective exhibition Passenger of the American abstract painter Sean Scully, one of the leading and exceptionally successful artists of his generation. The author of the exhibition is Dávid Fehér, director of the Central European Research Institute for Art History and curator of 20th-century contemporary art at the Museum of Fine Arts in Budapest, while Jasna Jakšić, Ivana Kancir, and Ana Škegro have curated the Zagreb exhibition. The retrospective presents sixty-four of Scully’s seminal artworks – canvases, works on paper, photographs, and sculptures – as an extremely valuable cross-section of the painter’s work over the past 50 years. It will be open until March 12, 2023, during which time a diverse educational programme will be organized for children, youth, adults, and persons with visual and hearing impairments, as well as different, thematically oriented guided tours. The accompanying programme will begin with Scully’s lecture on November 16 at 6:00 p.m. in MSU’s Gorgona Hall.
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Ivana Pipal’s Invisible Spaces were created at the intersection of visual arts and psychotherapy, by translating research of the human psyche and its mechanisms into artistic speech. Relying on the experiences of neuroscience, psychotherapy, and psychology as well as various techniques for raising the awareness of presence, the artist has built a visual language as a tool for understanding the inner world, feelings, and abstract thinking.
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The New Era exhibition presents the works of three female artists and an artist collective from Slovenia, who in their creative practices, consistently and continuously address the relationship between human and nature. The selected works provide a profound contemplation about anthropogenic interventions into natural environments and about current sociopolitical and economic structures of governance which are based on principles of infinite growth of production and consumption.
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The 12th International Festival Organ Vida opens on June 29 at the Zagreb's Museum of Contemporary Art Zagreb with the main exhibition – No Tears Left to Cry and a solo exhibition of Vivian Sassen
The 12th International Organ Vida Festival will take place from June 29th to August 28th at the Museum of Contemporary Art Zagreb, Miroslav Kraljević Gallery (GMK) and Gallery Nova. The Biennial Festival brings together contemporary artists working in the medium of photography and / or in its expanded form and opens on June 29th at 8 p.m. at the Museum of Contemporary Art in Zagreb with the main exhibition No Tears Left to Cry with works by ten finalists selected by an expert jury composed of: Agnieszka Roguski, curator and writer from Berlin, Antonio Cataldo, curator and writer from Oslo, Ivana Meštrov, curator from Zagreb, Jen Kratochvil, curator and critic from Prague and Vienna, and Lovro Japundžić, curator from Zagreb; and with a solo exhibition by the esteemed and award-winning artist Viviane Sassen, who will present a series of photographs and collages Venus & Mercury created from the rich archives of the French castle of Versailles.
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World Festival of Animated Film Animafest was founded in Zagreb fifty years ago and is one of the oldest festivals dedicated to animation. The exhibition Animafest Zagreb 1972 – 2022 summarises the Festival’s half-century history. Alongside the central exhibition on the Festival’s history, there are also four thematic exhibitions that are traditionally held as part of the Festival’s accompanying programme: Behind the Scenes and Nedeljko Dragić: The Line Tamer, the latter being this year’s laureate of the Animafest Lifetime Achievement Award, the exhibition of storyboards by the Dutch master of animation Paul Driessen, and the exhibition of photographs by the Finnish author Timo Viljakainen Behind the Eyes of the World, who has been portraying animators with closed eyes in different ambiences since 1990.
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